| Title |
Price |
GBP |
Media |
Condition |
Label |
| アイ・ジョージ全集 情熱の歌声 |
5.39 |
|
2LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Teichiku Records NL21501 |
| Item Number: 2081099153 16313 |
teichiku records nl-2150 ex++/ex+/ex+, gatefold w/super nice booklet [16313]
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Tracklist
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| ラテソ篇 | | | A1 | ラ・マラゲーニャ | 3:59 | | A2 | べサメ・ムーチョ | 3:51 | | A3 | カチート | 2:48 | | A4 | キサス・キサス | 2:55 | | A5 | タブー | 3:30 | | A6 | シエリ卜・リンド | 4:13 | | A7 | キエンセラ | 2:32 | | B1 | 或る恋の物語 | 2:39 | | B2 | ク・ク・ル・ク・ク・パロマ | 5:28 | | B3 | シボネー | 3:08 | | B4 | グラナダ | 3:40 | | B5 | ラ・クカラチヤ | 3:12 | | B6 | ソラメンテ・ウナ・べス | 2:34 | | B7 | ルンバ・ハポネサ | 2:13 | | 歌謡・ポピュラー篇 | | | C1 | 硝子のジョニー | 2:32 | | C2 | 赤いグラス | 3:38 | | C3 | スワニー | 2:01 | | C4 | 城ケ島の雨 | 2:50 | | C5 | 東京夫人 | 3:31 | | C6 | ダニー・ボーイ | 6:07 | | D1 | ワン・レイニー・ナイト・イン・トーキョー | 3:54 | | D2 | 紅子のバラード | 4:02 | | D3 | 卜ゥナイト | 3:18 | | D4 | 晚春 | 3:46 | | D5 | サンフランシスコの想い出 | 2:25 | | D6 | 戦友 | 7:45 |
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Japan |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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